The ideas have to sit with me for quite a while, almost to the point where I think I’m avoiding picking up my brushes, because I start to feel that the idea itself is inevitably going to outstrip my basic execution on the canvas…
I paint in 2 different ways: my synaesthetic paintings are an abstract meditation of my experience with the senses; I take away emotions connected to the sounds, smells and tastes and focus on what is actually happening visually in my head…sort of like notation.
My other paintings are emotionally based and often focus on how small and insignificant I feel within the elements; a feeling which I think keeps me aware of how much more powerful nature is, and which steers away from those hubristic feelings humans find so easily accessible.
I’ve found over the years that working on the combination of emotional paintings and synaesthetic paintings keeps me balanced…I have to work with both, and I have to give both their individual time…a bit like living with 2 very different children.
Back in February I visited the Calais Refugee Camp with The World Wide Tribe and Davorka Andjellic ( @tilly2milly on instagram ) to create a visual document and share the trip on Instagram and which I wrote about here the day before the French Police moved in and torched, tear gassed and bulldozed a large part of the camp and the same part we had spent most time in during our visit; the part with the church, the mosque, the school, the library, the first aid, the shops, the cafes…not to mention all the unaccompanied minors and displaced families…
Jaz, who set up the World Wide Tribe, had worked in fashion and travel but after visiting the camp last August became completely taken over by the overwhelming need to help people on a grass roots level within this crisis and has since become an incredible force for change and awareness with her close team.
I could completely see how this could happen as meeting people in the camp there; tender, intelligent and kind human beings, makes you so aware of how lucky you are and how helping them should be so easy…
But it’s not always that easy for many reasons…donating money is a great starting point as even if it’s a small amount it not only helps massively but it also makes you feel connected with the crisis. But I felt I should do more, but it’s impossible for me to turn my life around and spend a couple of months volunteering in one of the camps at this moment on my life: I am a single parent with a teenage son and I have masses of domestic responsibility…and so then again I was left feeling a bit pathetic and at a loss for what I could usefully contribute…
However, I am creative, and I thought that maybe that could somehow work to be my contribution…
The Worldwide Tribe champion creative and art based projects within their help programme, recognising the therapeutic benefits as well as how through art and film making the awareness of this crisis can gain a much wider awareness and appreciation, and I really believe it’s creatives who have a capacity and responsibility to highlight and shift social change…
My responses were slow…things percolated inside my head for a couple of months, but I couldn’t pick up a brush…
And then I realised that I should paint something to do with the structures themselves; the geometry and colour…and also what I couldn’t see inside…
So the paintings are basically about the inside and the outside view; the temporary, the shelter and the hope…
Each painting has a slice of golden outside; a peep at something better through weathered feelings and tarpaulin…
…these are some of my process shots
They currently have their first showing in Brighton in the Artist’s Open Houses on the Fiveways Trail…
The paintings are on display throughout May weekends in Brighton here at 3 Surrenden Road, BN1 6PA, and then they will be shown at The Barbican as part of ‘Papers’ a one day festival of the art, culture and architecture of the refugee crisis being held on June 12th by The Architecture Foundation in connection with The Worldwide Tribe, and amazingly Alpha’s house which I mentioned earlier in the post will be reconstructed for the exhibition. ( You can have a look and also book tickets here )
The paintings are for sale and 50% of the price will be directly donated to The Worldwide Tribe…( You can view and purchase them in my Big Cartel store here )
And if you would like to donate to The Worldwide Tribe you can easily do that here
In the next couple of months I will also be launching a really exciting digital and ceramic art project with The Worldwide Tribe, so will keep you posted here and on Instagram as well as all other social channels .